Showing posts with label May. Show all posts
Showing posts with label May. Show all posts

5/01/2010

Mikurumayama Festival

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Mikurumayama Festival (Mikurumayama matsuri)

***** Location: Toyama, Japan
***** Season: Late Spring
***** Category: Observance


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Explanation

Mikurumayama matsuri 御車山祭 (みくるまやままつり)
"honorable float festival"


CLICK for more photos

At Sekino Shrine, Takaoka 高岡関野神社
May 1 and 2

It dates back to the time of Toyotomi Hideyoshi.
Maeda Toshiie received the imperial carriage dating from the time Toyotomi Hideyoshi welcomed the emperor. The second feudal lord Maeda Toshinaga gave it to 10 towns that had been newly formed.
The carriage was reportedly rebuilt as a wheeled float like those used in the Gion festival, and was first used in the procession of the spring festival of Sekino Shrine. It is the biggest float festival in the Hokuriku region.

During this festival seven wheeled floats (mikurumayama) parade through the streets of the city.
These precious floats are nationally designated important tangible and intangible cultural assets.
If it rains, the parade and illuminations are postponed.



The family crest of the Maeda clan is shown.


- quote -
Takaoka Mikuruma-yama Festival
The Takaoka mikuruma-yamas (wheeled float) carried in this festival are apparently based on the court carriage used by Hideyoshi Toyotomi to welcome Emperor Go-Yozei and Retired Emperor Ogimachi to Jurakudai in 1588.
After Toshie Maeda received it as a gift, Toshinaga Maeda gave it to the townspeople in 1609 when he was building Takaoka Castle. A barrel roof was added to the carriage to make the current mikurama-yama.
Supported by the spirit and wealth of the Takaoka townspeople, this is one of Japan’s most gorgeous hikiyama festival floats, with wheels decorated using superb local craft techniques, such as metalwork, lacquer ware and dyeing.
- source : foreign.info-toyama.com/en... -



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Other festivals of Takaoka




Akai no Oyako Shishi 赤井の親子獅子
Lion dance, when the mother lion gives birth to a lion, which is a seldom feature in Japanese lion dance. The lion stamps and jumps, summersaults and jumps again. It is quite a humorous performance and has been handed down from parent to children.
Summer festival at the shrine Kaguraoka Jinja 神楽岡神社.



Ayame Festival (Iris festival) 菖蒲まつり
June
120,000 iris plants (the city flower of Oyabe) in 212 varieties are shown.



Buriwake Shinto Ritual 鰤分け神事
January 1, Shimomura Kamo Shrine
Called "reading the buri" (amberjack) in the village, this event begins with the reciting of a Shinto ritual prayer. The "reader" then offers up the fish, one by one, as he recites the names of the different districts of the community. After this, slices of fish and mirror-shaped rice cakes are distributed to each of the shrine's parishioners. The rite is intended to ward off misfortune throughout the year.

. WKD : Yellowtail, buri 鰤 (ぶり)  




Chigo Dance (Dance of the children) 稚児舞
September 4, Shimomura Kamo Shrine
This dance is performed as a religious offering to give thanks for a good harvest. It is said to have originated at the Kamomioya Shrine in Shimogamo, Kyoto. Designated an intangible cultural asset by Toyama Prefecture in 1965, the Chigo Dance of Etchu was designated an important intangible folk culture asset by the Japanese government in 1981.




Daimon Hikiyama Festival 大門曳山祭り
second sunday in October
It originally featured five wheeled floats. The number was reduced to four in 1942 when Rengeji was incorporated into the city of Takaoka and Rengeji's wheeled float was withdrawn from the event. After passing in front of the Daimon Shrine, the floats are towed through the various districts and throughout the town.


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Etchu Daimon Kite Festival 越中大門凧祭り



With many kites of the face of Daruma.

Third saturday and sunday of May, since 1979.
The wind is brisk on the banks of the Shogawa River, and the sky is filled with color as the kites ascend.





. Kite 凧 tako . . . and Daruma  


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Fushiki Hikiyama Festival ("fighting wheeled floats")
伏木曳山祭 May 15
At Fukushi Shrine, for the god of safety at sea.



Genpei Kagyu Festival (Genpei Bull Festival)
源平火牛祭り
July
In memory of the Genpei war between the Heike and the Genji.
kagyu (flaming bull dolls) are carried around the city of Obabe.
In memory of Kiso Yoshinaka, who bound flaming torches to the horns of bulls and drove them into the Taira army, causing its defeat.



Gongon Festival ごんごん祭り
17th and 18th of April
Jonichiji Temple, in Himi
The bells are rung 108 times, as is usually done on the night of the New Year.



Hikiyama Festival 曳山まつり(新湊・海老江)
October 1, Hojozu Hachiman Shrine
13 wheeled floats are towed around the town. During the day hanayama floats decorated with flowers are featured, and at night chochinyama floats decorated with paper lanterns. The overall effect is quite magnificent. Written records indicate that the festival dates back some 350 years.
. . . . . and
Ebiekamo Shrine is called the Ebie Hikiyama Festival.
Each September 23 three wheeled floats make their way in a magnificent procession, accompanied by a group of musicians playing solemn music. Written records indicate that the festival dates back some 150 years. A special feature of this hikiyama festival is the mechanical dolls.




Kosugi Mikoshi Festival 小杉みこし祭り
summer
a competition of handmade mikoshi portable shrines, was initiated to celebrate the one hundredth anniversary of the founding of Kosugi. Created to encourage regional exchange, visitors are welcomed from all over Japan.



Marumage Festival まるまげ祭り
April 17
Ooriginates in the custom among geiko maidens of dressing their hair in the marumage style (a hairstyle for married women). More than 100 ladies visit the tempoe Senjuji to pray to the goddess Kannon.



Nakada Kakashi Festival (scarecrow festival)
中田かかし祭 . September
the streets are lined with more than 100 scarecrows.



Riverside Festival リバーサイドフェスタ
first sunday in August along the Oyabe river in the shinsui park in Tsuchiya.
A contest for catching carp for children is the main attraction.



Takaoka Manyo Festival
高岡万葉まつり「万葉集全20巻朗唱の会」
October
In Takaoka Kojo Park.
All the 4.516 poems of the Manyoshu poetry collection are read in a relay, lastting three nights and days.




Takaoka Nabe Festival (Cooking pot festival)
高岡なべ祭り January
Maeda Toshinaga, second lord of the Kaga clan, encouraged metal casting in an effort to develop the town. This eventually evolved into Takaoka's famous copperware tradition and, later, into an aluminum industry.



Takaoka Star Festival (Tanabata) 高岡七夕まつり
August 1 to 7

Toide Star Festival (Tanabata) 戸出七夕まつり
July 3 to 7
In Toide town



Tonami Yotaka Festival となみ夜高祭
second friday and saturday in June
Kabuki performances put on by children are a popular highlight among the city's residents. Approximately 20 yotaka lanterns, large and small, vie for supremacy in a lively display.



Tsukurimon Festival つくりもんまつり
September 23 and 24, Fukuoka
Harvest festival in honour of Jizo Bosatsu.
Fruit and vegetables are piled up in decoratve mountains (tsukurimon)



Tsuzawa Yotaka Festival 津沢夜高祭り
Friday and saturday in June
Tsuzawa city, Oyabe.
Lantern floats decorated with pictures of samurai are violently crashed into each other at the fighting festival, Kenka Yotaka Festival.



Yansanma Festival 流鏑馬祭り
May 4, Kamo Shrine, Shimomura
The festival ends with an exhibition of yabusame, or horseback archery, conducted as a Shinto ritual. The word yansanma derives from yabusame.


source : www.manabi-takaoka.jp


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Worldwide use


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Things found on the way



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HAIKU



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Related words

***** WKD Reference


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4/10/2010

Suwa and Misayama

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. 諏訪神社 Suwa Shrines and their Legends .
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Suwa and Misayama

***** Location: Nagano, Japan
***** Season: See below
***** Category: Observance


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Explanation

Suwa Shrine 諏訪大社 Suwa Taisha and the
Lower Suwa Shrine, Misayama 御射山
Shinano, now Nagano prefecture

There are seven wonders in the area, relevant for our kigo is this one:

Hoya-no no Sanko 穂屋野の三光:
The three rays in Hoyano


It is believed that the three rays from the sun ,the moon and a star are to be seen at the same time from the former Misayama Shrine (旧御射山社).
See below.



quote
Suwa taisha (諏訪大社), or Suwa Grand Shrine, is a Shinto shrine in Nagano prefecture, Japan. Over 1200 years old, it is one of the oldest shrines in existence, and is mentioned in the Kojiki, an 8th century text. It consists of four building complexes, the Maemiya (前宮, lit. old shrine), the Honmiya (本宮, main shrine), the Harumiya (春宮, spring shrine), and the Akimiya (秋宮, autumn shrine).
source : wikipedia

南方刀美神社 Minakatatominokami no yashiro

- - - Enshrined deities:
Tateminakata no Mikoto 建御名方命
Yasakatome no Mikoto 八坂刀売命


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kigo for early spring

Suwa no onbashira matsuri
諏訪の御柱祭 (すわのおんばしらまつり)
festival of the Suwa shrine pillars

onbashira matsuri 御柱祭(おんばしらまつり)"Suwa Pillar Festival"
Suwa matsuri 諏訪祭(すわまつり)Suwa festival
onbashira satobiki 御柱里曳(おんばしらさとびき)


CLICK for more photos

quote
Onbashira (御柱祭) is a festival held every six years in the Lake Suwa area of Nagano, Japan. The purpose of the festival is to symbolically renew the Suwa Taisha or Suwa Grand Shrine. "Onbashira" can be literally translated as "the honored pillars".

The Onbashira festival is reputed to have continued, uninterrupted, for 1200 years. The festival is held once every six years, in the years of the Monkey and the Tiger in the Chinese Zodiac, however the locals may say "once in seven years," because of the traditional Japanese custom of including the current year when counting a length of time.

Onbashira lasts several months, and consists of two segments, Yamadashi and Satobiki.
Yamadashi traditionally takes place in April,
and Satobiki takes place in May.


"Yamadashi" literally means "coming out of the mountains." Before this portion of the festival, huge trees are cut down in a Shinto ceremony using axes and adzes specially manufactured for this single use. The logs are decorated in red and white regalia, the traditional colors of Shinto ceremonies, and ropes are attached. During Yamadashi, Teams of men drag the logs down the mountain towards the four shrines of Suwa Taisha. The course of the logs goes over rough terrain, and at certain points the logs must be skidded or dropped down steep slopes. Young men prove their bravery by riding the logs down the hill in a ceremony known as "Ki-otoshi."

"Satobiki" festival involves the symbolic placement of the new logs to support the foundation of the shrine buildings. The logs are raised by hand, with a ceremonial group of log bearers who ride the log as it is being raised and sing from the top of the log to announce the successful raising. This ceremony was performed as part of the opening ceremonies of the Nagano Olympics in 1998.

After two festivals, there is an important event "Building of Hoden". This event isn't generally famous, and few people know that the event is held even among people who live nearby and participate in Yamadashi and Satobiki. The end of this event marks the end of Onbashira.
© More in the WIKIPEDIA !

The origin of this festival goes back to ancient times.
In the forest region of Suwa lived the Jomon people, off the woods with wild animals and plants gathered for food, praying to a deity of hunting and gathering.
Then came the Yayoi folks from the continent, bringing the rice cultivation and field management and a deity of agriculture.
The two clashed at Suwa but then the stronger Yayoi appeased the deity of the Jomon and venerated it in the pillars around their shrines.

- quote -
- snip -
Suwa shrines across Nagano Prefecture hold the "Pillar-raising festival" known as the Onbashira Matsuri in years of the Monkey and of the Tiger (i.e. every six years), in which shrines ceremonially raise four pillars (some shrines only erect one). Suwa Taisha is the first to raise the pillars, after which other Suwa shrines raise theirs. There are various explanations as to the symbolism or purpose of the four columns. Some suggest they were "vehicles" (yorishiro) for the kami to inhabit, others that they marked off the four corners of a sacred area. Still others explain them as substitutes for periodic shrine renewal ritual or as magical implements of the kami. There are many rituals at Suwa Taisha, and seven out of ten scrolls of the Suwa Daimyōjin ekotoba are devoted to ceremonies. ...
- source : Nogami Takahiro kokugakuin 2007 -


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source : genjin.cool.ne.jp
with more photos


kigo for early autumn

Misayama matsuri 御射山祭 (みさやままつり)
Misayama festival

hoya 穂屋(ほや)"hut with a thatched wall"
hoya matsuri 穂屋祭(ほやまつり) Festival of the thatched hut"

on the 27th of the 7th lunar month,
now on August 27 - 28.


Shrine Misayama Jinja 御射山神社 and the "Lower Shrine 下社" of Suwa.
The mountain was the hunting ground of the Suwa area.
Misayama, lit. "Honorable Mountain for Shooting".

A hut with thatched walls from pampas grass was erected for the shrine priest and young men of the village to stay over night. They had to participate in various purifying rituals, Then they had to perform hunting acrobatics like shooting from horseback 遠笠懸 and falconry. Now there are also shooting performances.
御射山御狩神事



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kigo for the New Year

kawazugari no shinji 蛙狩の神事 (かわずがりのしんじ)
ceremony of hunting for frogs

Frog Hunting Shrine Ritual
..... kawazutobi no shinji 蛙飛びの神事(かわずとびのしんじ)
frog-jumping ritual

On the morning of January 1, three or four frogs hibernation along the river bank of the river Mitarashigawa 御手洗川 are dug up and shot at with a small ritual bow and arrow made from willow wood.
This helps to predict the harvest of the coming year. Sometimes the frogs jump away and this direction a lucky direction.


Look at more photos here:
source : suwataisya/sinj

This is a prayer for peace and a good harvest in the coming year and one of the seven wonders at the Suwa shrine.

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kigo for the New Year

Sakanbe no fuyu matsuri 坂部の冬祭 (さかんべのふゆまつり)
Winter Festival in Sakanbe (Sakabe)




In Sakabe, part of Tenryu Village near the Suwa Shrine, and in other villages relating to the shrine.
It used to be held on the last month of the lunar year, but now on January 4.
People from each village go to the River Tenryuugawa 天竜川 to get pure water and bring it to the shrine in the hills near the village.
It is a ritual of "boiling water divination" (yudate 湯立て). The hot water is scattered over the participants to purify them.
Afterwards, a fest is held, sometimes ritual dancing and other performances.

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Shakuji Jinja 社宮司神社 しゃくじじんじゃ(
Oshamoji sama おしゃもじさま)



"Mishakuji-sama" みしゃくじさま,
Mishaguji sama ミシャグジさま , ミシャグジ神
is the name for the local female deity of the Suwa lake and Mount Moriya 守屋山.
She is resident in the Suwa Maemiya Shrine 諏訪前宮神社. It is an ancient cult of Mother Earth.
She is probably an old form of a snake worshipped and shows herself as a white snake.
Or identical with 建御名方神 or 洩矢神(モレヤ神).
This deity is also known in other regions where matagi hunters roam the forests.

Mishaguji sha ミシャグジ社 / 御社宮司社 Shrine for Mishaguji sama

Cosmogonical Worldview of Jomon Pottery :
The Mishakuji Cult of Suwa
source : books.google.co.jp


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Worldwide use


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Things found on the way


The 7 wonders of
Lower Shrine of Great Shrines of Suwa

1
Omiwatari (御神渡: literally. God's Crossing )
Once upon a time, there were a goddess named Yasakatome-no Mikoto (八坂刀売命) and a god, Takeminakata-no Mikoto (建御名方命). When the Goddess alone moved to the Lower Shrine, the God missed her so much but found that Lake Suwa was too large to cross. Then, when Lake Suwa was frozen over, he took the chance and walked over the ice to her shrine. (Some say it was the messenger, kitsune 狐 a fox).
Today his footsteps are said to be Omiwatari. (This natural phenomenon is said to be caused as water expands with freezing in winter. The straight line of the sharp upheaval appears on the surface, and is called Omiwatari.) People used to regard Omiwatari as the sign which insured safety on the ice. When it came, they would step on Lake Suwa.

2
Misakuda-no wase (御作田の早稲: Early-ripening rice plants in Misakuda)
A rice-planting festival held on July 30th. The rice planted in the festival ripens in 60 days according to the old legend.

3
Gokoku no Tsutsu-gayu (五穀の筒粥: The porridge of five staple grains in the reed straws )
A ritual performed at Tsutsugayuden (筒粥殿: lit. the hall in which to cook the porridge in reed straws) in Haru Shrine. On the evening of January 14th. , rice and azuki-beans are cooked in a pot , into which a bunch of 42 reed straws are put .The next morning ,they perform auguries by the amount of porridge and azuki-beans trapped in the reed straws and “Divination never fails to be true”.

4
Yuguchi-no Seidaku (湯口の清濁: Purity and impurity of hot spring water from the spout)
Legend has it that the company of an unclean person in the public bath, Watanoyu (綿の湯), makes the hot spring water from the spout cloudy.

5
Neiri-no Sugi (寝入の杉: The cedar asleep)
The fabled tall cedar called Otakara gi (お宝木: lit. the treasure tree) on the premises of Aki Shrine.
It is still told to this day that the cedar falls asleep with its branches 10 cm lowered in the middle of the night, when its snoring can be heard.

6
Ukishima (浮島: The floating island)
An island on the Togawa (砥川: River To), which runs through the rear of the Haru Shrine. On the island is Ukishima sha (浮島社: a small shrine on Ukishima) Legend credits the island with the ability of surviving any floodwaters.

7
Hoyano-no Sanko (穂屋野の三光: The three rays in Hoyano)
It is believed that the three rays from the sun ,the moon and a star are to be seen at the same time from the former Misayama Shrine (旧御射山社).
source : Legends and folk tales of Suwa



. omiwatari 御神渡 (おみわたり) gods crossing the frozen lake  
kigo for late winter

Akenoumi 開けの海 means the lake does not freeze and there is no omiwatari in a year.
This happened in February 21, 2009, just before the ceremony before Yatsurugi Shrine 八剣神社 in Suwa City, Nagano Prefecture.

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kamiyu 神湯 "hot water of the deity", hot spring



with public bath, Kamiyu (open) and Shimoyu (half closed)

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HAIKU



御射山やけふ一日のはなすすき
Misayama ya kyoo ichi nichi no hana susuki

Misayama--
today, all day
blooming pampas grass


Kobayashi Issa 一茶
Tr. David Lanoue


More haiku by Issa about this area

御射山や一日に出来し神の里 

御謝山の晴にくねるか女郎花 

寝祭りや我御射山の初尾花 

花芒吹草臥て寝たりけり

みさ山の芒序や風祭り 

みさ山や見ても涼しきすゝき箸 

みさ山やこんな在所も女郎花 

野庵も穂屋の御役ニ立けり
noan mo hoya no o-yaku ni tachi-keri


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. WKD : Kobayashi Issa 小林一茶 in Edo .

misayama ya mite mo suzushiki susuki-bashi

Misayama Mountain --
I feel cooler just seeing
chopsticks of green reed

Tr. Chris Drake

This hokku is from the 7th month (August) of 1821.
Issa went to the large Suwa Shinto Shrine to see the Misayama Festival, held from 7/26 to 7/30, which was accompanied by sumo contests and many other events. On 7/27 (August 24th in 1821) priests and a group of believers go up the low mountain and build a hut walled and thatched with miscanthus, a kind of reed growing to 5-7 feet high, with striking tufts on the top. There they commune with the gods of the shrine and pray.

Meanwhile the Misayama Shrine at the foot of the mountain distributes special chopsticks from the still green stalks of miscanthus reeds to believers, who then eat special rice with the chopsticks. People later take these reed chopsticks home and put them beside bowls of rice that they place in small shrines in their homes to the Suwa Shrine gods, who are believed to bring good harvests. Issa has received a pair of these chopsticks, and even before he eats with them and thereby symbolically shares his rice with the gods, the sight of the green stalks used as chopsticks makes him feel cooler on this probably hot early autumn day.

A little more than a year later a breeze blowing from Lake Suwa, about 80 miles from his hometown, causes Issa to write:

suzushisa wa kami-yo no sama yo susuki-bashi

this coolness
from the age of the gods --
chopsticks of green reed



The breeze seems to remind Issa of his experience at the Suwa Shrine, and the timeless time of the gods descends on him again for a few moments, cooling and refreshing him.

Basho also has a hokku about the Misayama Festival reed-thatched prayer hut in the first part of the Sarumino anthology. It evokes early winter:

yuki chiru ya hoya no susuki no kari-nokoshi

scattering snowflakes --
tufted reeds left uncut
for the thatched prayer hut


This hokku suggests loneliness because being cut to serve as part of a wall or the roof in the reed hut -- called the Tufted Hut -- into which gods descend on Misayama Mountain during the Misayama Festival was considered a great honor. The stalks that remain are therefore those that have been passed over and were unable to take part. Now, left behind, the dry, tufted reeds stand amid a snow flurry, accentuating with their astringent straightness the swirling of the flakes.

Some dictionaries give "Japanese pampas grass" for susuki reeds, but strictly speaking they are miscanthus reeds (Miscanthus sinensis). A look at Wiki photos will show that miscanthus is slightly slimmer than pampas grass and its tufts more like soft tassels than the long plumes of the pampas grass, with can suggest spearheads.




Here is a photo of chopsticks made from miscanthus reeds.
The stalks are still green, but in late autumn they turn completely light brown.

Chris Drake


Shrines visited by
. Matsuo Basho 松尾芭蕉 - Archives of the WKD .


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さをしかや社壇に角を奉る
saoshika ya shadan ni tsuno o tatematsuru

a stag offers
his old antlers
to a Shinto shrine

Tr. Chris Drake


This hokku was written in the 4th month (May) of 1824.
Issa's diary says he visited the local Suwa Shinto shrine on 4/15, so the hokku may be based on what he saw there. The Sino-Japanese word shadan (社壇) means a sacred building at a Shinto shrine, so the stag in the hokku seems to have shed his old antlers right in front of a hall of worship at a rural shrine near some woods inhabited by deer. Some Shinto shrines, including the Kashima Shrine, visited by Issa several years earlier, have sacred deer living on their precincts, but the shrine in this hokku seems to be an ordinary Shinto shrine. I take the image to be of a set of antlers left earlier near the steps or entrance to the shrine main building dedicated to the shrine's god or gods, since it seems unlikely the stag is shedding his antlers in front of many people. Deer hunting was widespread in mountainous Shinano, where Issa is living, so the stag would be putting himself in danger if he appeared in broad daylight in an area visited by many humans, even if hunters couldn't hunt within the precincts of the shrine. Issa obviously feels that the stag had some sort of awareness that the shrine was a sacred place and that his placement of his antlers is the result of that awareness, whatever the exact nature of that awareness is.

Although Issa attributes certain feelings to the stag, this hokku doesn't seem to be based on strong personification. It simply points to the location of the antlers as a sign that the stag instinctively wanted to offer something that once had great importance in a place that seemed peaceful and spiritual. In Shinto many gods are depicted as riding on stags or using stags as their assistants, so the fallen antlers would probably be treated with great respect and care by the shrine priests.

Chris Drake


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source : rakanneko.jp/buson


名月やうさぎのわたる諏訪の海
meigetsu ya usagi no wataru Suwa no umi

In harvest moonlight--
rabbits seem to be running
over the lake of Suwa.

Tr. Sawa/ Shiffert


. Yosa Buson 与謝蕪村 in Edo .

In former times, on a moonlit night, when the lake showed white waves, this was called "a rabbit is running" 兎が走る.


. WKD : The Hare (Rabbit) in the Moon .
pounding rice cakes


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The great shrine Suwa Taisha Kamisha (Upper Suwa Shrine) 諏訪神社上社 issued special amulet-permits and the chopsticks to eat "meat from the mountains", which took away the "spiritual pollution" when eating meat.
kajiki no men 鹿食之免料理
***** . kajikibashi 鹿食箸
chopsticks to eat "mountain meat"

from Suwa Shrine

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. Niino no yukimatsuri 新野の雪祭 (にいののゆきまつり)
snow festival at Niino .

Tenryu, Nagano

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Suwa Jinja, Nishi-Nippori, Tokyo

This shrine was built in the Kamakura period.
From its hill there is a good view to Mount Fujisan.


Kasamatsu Shirō 笠松紫浪 (1898-1991)


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. 諏訪神社 Suwa Shrines and their Legends .

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5/20/2009

Matsue Festivals

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Horan Enya Boat Festival

***** Location: Matsue
***** Season: Mid-Summer
***** Category: Observance


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Explanation

Hooran Enya ほうらんえんや
boat festival in Matsue town, Shimane

CLICK for more photos

This festival was started by first generation feudal lord Matsudaira Naomasa in hopes for a good harvest and has been held every 12 years. The object of worship is carried on a boat from Inari Jinja Shrine 大浜住吉神社 to Adakaya Jinja Shrine. At the call of "Horan-enya" the procession, consisting of a line that is 10 kilometers long, carries a fleet of 100 decorated boats from one shrine to the other. The festival in 1997 was the Horan-enya's last event of this century.
The last festival was held in 2009.
source
http://hometown.infocreate.co.jp/en/chugoku/matsue/maturi-e.html


At the front of some ships, a kabuki-like dancer performs his art. At the back of the ships, young drummers acompany a dancer, a young boy dressed like a girl, swinging his sticks.
The festival starts early in the morning, bringing the mikoshi on a boat to the shrine Adakaya 阿太加夜(あだかや).

It is one of the three great festivals with ship processions in Japan.



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ほうらんえんや(松江)



Resources

CLICK for more english information


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Hooran Enya in 2009




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HAIKU


TBA
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Related Festivals


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Suigosai Festival, Matsue
松江水郷祭(すいごうさい)suigoosai
kigo for Summer
A major summer event emphasizing "the city of water". A magnificent display of fireworks over Lake Shinji-ko, and surprise events are held each year.
. . . CLICK here for Photos !


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Matsue Drum Procession
松江祭 鼕行列(どうぎょうれつ) doo gyooretsu

Kigo for early winter
November 3

This festival began when the 5th generation feudal lord Matsudaira Nobuzumi greeted his wife in 1734. The people in the area made a drum to beat for the celebration. A float with two large drums, each measuring 2 meters in diameter, proceed through town as the sounds of the beats echo throughout the area.
source
http://hometown.infocreate.co.jp/en/chugoku/matsue/maturi-e.html



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- July August -

Tamatsukuri Onsen Summer Festival – 玉造温泉夏まつり
Held in Tamatsukuri Onsen, this annual summer festival consists of daily stage events and food stands. The stages are outside surrounding the Tamayu River, and performances range from music concerts to traditional dances, like Yasugibushi. At night, the area around the river is illuminated with decorative lanterns.

Matsue Suigosai Fireworks Festival – 松江水郷際
One of the biggest events in the City of Water, Matsue Suigosai is held over two days in the city centre by Lake Shinji‘s shore. Many people wearing yukata and jinbei will enjoy the surface of the lake lit up by thousands of fireworks, while dance events and other performances are held on stage by Matsue City Hall. There are also many food stalls. Fireworks are usually from 20:00 to 20:30 on Saturday, and from 20:00 until 21:00 on Sunday, with a total of around 90,000 fireworks.

Oyukake Jizo Festival – お湯かけ地蔵まつり
This festival, dedicated to the local hot spring deity named Oyukake Jizo, takes place in the hot springs area of Matsue Shinjiko Onsen. Come by and pour hot water over the Jizo statue before watching the fireworks over Lake Shinji. Fireworks are usually between 20:00 and 20:30. URL : Oyukake Jizo Festival (jp).

Iya Shrine’s Ho-kake Matsuri - Hokake – 揖屋神社穂掛祭
Iya Shrine is located in eastern Matsue, by Lake Nakaumi (easy access from Higashi Matsue Station). An important ritual is held there, both on sea and land, to pray for generous harvests and safety at sea. The god worshipped is first brought in a Mikoshi (portable shrine) on a boat to reach a sacred place before returning to the shrine. The land procession starts at 19:00. The celebrations includes awesome Kagura dances on a stage next to the shrine, Mochi-maki (distribution of pounded steam rice cakes), Japanese drums and fireworks. Also, the crowd is given super yummy sake in bamboo cups

Sada Shrine Gozakae Ritual – 御座替神事
This ritual is undertaken to purify the new rush mats upon which the tutelary deities of Sada Shrine are to sit. Another round of dances follows on the second day, including Sada Shin Noh, which was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2011. Created in the early 15th century, these dances have been handed down from generation to generation and are thought to have given its contemporary structure and content to the Kagura dances that today thrive in Shimane culture.

- source : matsuetravelguide.wordpress.com

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5/15/2009

Honen Matsuri Harvest Festival

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Honen Matsuri (Hoonen Matsuri 豊年祭)

***** Location: Tagata Shrine, Aichi
***** Season: Early Summer
***** Category: Observance


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Explanation

田県神社の豊年祭
Shrine Tagata Jinja
豊年祭り
豊年祭(ほうねんさい / ほうねんまつり)
hoonensai / hoonen matsuri
May 15

CLICK for more photos of the festival

This festival is better known in English as
PENIS FESTIVAL, for obvious reasons.

CLICK for original LINK, Japanese TAGATA

. . . CLICK here for Photos !


inkei 陰茎(ペニス)penis




. WASHOKU - Sex and Food at the Festival  


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quote
Good Harvest Festival. A festival held at Ōagata Shrine (Ōagata jinja, Oagata Jinja 大縣神社) in Inuyama City, Aichi Prefecture. The Sunday closest to March 15 is the festival day. Also called the Hime no Miya Hōnen Festival. The festival complements the Good Harvest Festival of Tagata Shrine and is famous for the worship of genitalia.
. . . CLICK here for Photos !
Called the Yin (in or female) festival in contrast to the Yang (yō or male) festival of Tagata Shrine, rocks symbolizing the female genitals are enshrined.
There is a procession of a sacred palanquin (mi-koshi) representing the female genitals, great banners (ō-nobori), and decorated horses. Good luck mochi are scattered from a sacred palanquin carrying a giant clam. In front of the shrine hall onlookers scramble for valuable items hanging from the large sakaki. These are talismans for safe birth, getting married, and satisfaction in married life.

There is also the Good Harvest Festival on the Sunday closest to March 15 at Tagata Shrine in Komaki City, Aichi Prefecture. It is said that this transporting of the deity rite is based on a legend about the enshrined kami, Takeinazumi-no-mikoto, who had an enormous penis and took to wife the local Aratahime-no-mikoto. The festival involves the transporting of the deity from Shinmei Shrine or Kubo Temple to Tagata Shrine. A linga (penis) almost two meters in length rides on the sacred palanquin, following a large banner upon which a penis is drawn. The banner is carried by youths, and at the shrine the onlookers scramble to claim pieces of it. The talismans that are on the banner pieces are skewered, and it is said that if these are placed in the fields the harvest will be good. It is also said they will bless one with good relationships and keep away sexual diseases. It is said that if one does not attend both this festival and the Yin festival at Ōagata Shrine then one will not prosper.
— Mogi Sakae
source : — Mogi Sakae / Kokugakuin University

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quote
Tagata Jinja is a Shinto shrine in Komaki just north of Nagoya, and as such is just one of many that can be found throughout Japan. It symbolizes the strong spatial and temporal linkage of the people to the community of Komaki, which until comparatively recently was a farming area. The Hounen festival at Tagata shrine is one of the most famous (or infamous?) festivals in Japan. Amongst foreigners visiting Aichi Prefecture it is frequently referred to as the "penis shrine", or "Japanese penis festival", primarily due to the ancient Hounen Matsuri (a festival celebrating fertility and renewal), which is held here every March 15th.

Every year on March 15 a huge two and a half meter wooden phallus is carried the short distance between two shrines attracting visitors from all over Japan and international media attention. The festival is fun with a lot of sake drinking, however the background of the festival is rather more serious. A shrine is a place of worship. It houses divine spirits and preserves the memory and practice of many aspects of Japanese culture. This file is intended to introduce some of the history, mythology, rituals, and customs of Tagata Jinja.

History:
Tagata Jinja is believed to be about 1500 years old, due to discoveries in 1935 of an ancient sword and extensive pottery fragments. These days the shrine is surrounded by suburbia, but until recently it was surrounded by a forest called "Agata", a name believed to have derived from the name of one of the rulers of the local area during the end of the Yamato period (approx 3rd-5th century AD). These rulers were warriors who settled the area from Nara as the emerging feudal Japanese state defeated and displaced indigenous Ainu tribes and pushed its frontiers to the east. According to the official history of the shrine, the daughter of the feudal lord was called Tamahime, and was bethrothed to Takeinadane. The tradition holds that Takeinadane was killed in a distant battle and that his wife and children (and powerful father in law) developed the area. Tagata Jinja stands on the site of Tamahime's residence, and she is the principal deity (called kami in Japanese) enshrined here.

Enshrined as Tamahime-no-mikoto, she is worshipped in the main sanctuary of the building called the honden. This is the main shrine building. Behind and to the left of this structure, you can find another building called the Shinmeisha which contains a large number of natural and man-made objects, almost all of which are either shaped like a penis or have some phallic theme. It is important to understand that the worship is not of the phalli, but instead a worship of the earth, of the power that nature has through renewal and regeneration. It is this context that provides the phallus with its significance.

Fertility:
With everything from penis shaped candy to suck on, phallus keychains, azuki filled dumplings in the shape of the male member, and small wooden objects to take home as souvenirs, it is easy to think that it is the phallus that is being worshipped. This is not the case. Each of the hundreds of objects in the shrine buildings are essentially offerings to the enshrined deity, and are venerated as such.
In the past, the shrine often lended these phalluses to those in need, for example a couple wishing to conceive, an individual searching for a suitable spouse, or to cure childhood illnesses. The objects were returned with interest, for after the desired result was obtained the borrowed phallus was returned to the shrine, along with a new object donated in gratitude.

However what the veneration is about though is the worship of a feminine deity. The kami is female and embodies fertility and fecundity. Not far from Tagata shrine there is another place of worship called Ogata (Oogata) Jinja, where the objects are representative of female genitalia. In an agricultural community, the sacred feminine was worshipped, and the rituals that have survived to this day at the Tagata shrine were celebrations of this, conducted in order to ensure bountiful agricultural harvests, regeneration and renewal as well as human birth. In this way the Hounen matsuri is similar to other fertility rituals around the world. Hounen means bountiful year.
The festival is held March 15th because spring is the time of regeneration where seeds sprout and dormant trees and plants that seem to be dead come back to life.

March 15th Hounen-sai:
For most of the year, Tagata Jinja is very quiet. Most of the visitors are young couples, sometimes coming to pray for successful conception, sometimes coming to give thanks for safe child birth. Tagata's fertility festival, as with most festivals in Japan, is treated in a lighthearted way with much sake and noisy behavior. Modern Japanese society is less dependent on the vagaries of seasons and harvests and so the importance of agricultural traditions has faded, however it is obvious that people do take it seriously, solemnly approaching the permanent shrines and praying in silence. You see the occasional busload of tourists, often from Korea, Taiwan and Hong Kong, but for the most part Tagata is silent. In the lead up to March 15th, there is constant preparation, however most of it is behind the scenes.

The matsuri, known as the Hounen-sai, has always had the objective of ensuring a bountiful harvest. It is mostly a procession symbolizing the visit of the male Takeinadane to the powerful and waiting female Tamahime-no-mikoto. While not a matriarchal society, women held high social status in the Yamato period and after marriage were usually not required to join their spouse's household. The young warrior Takeinadane probably visited his wife instead of living together. These visits are symbolized in the procession.

Each year, a new giant wooden phallus 大男茎型 (おおおわせがた) of about 2 meters length and 60 cm diameter is carved from a large hinoki (cypress) tree. In Japan newly made objects are thought to express more purity and vitality. The tree is brought to the shrine for purification rituals during the coldest part of the winter, before a master craftsman begins to shape it. The craftsman uses only traditional tools and wears clothing that has also been purified through rituals at the shrine. It is this phallus that will be the central focus of the procession, and then be placed into the Shinmeisha shrine as the principal phallus after the festival.

Originally the phallus was much smaller and attached to a straw effigy of a samurai warrior, possibly representing Takeinadane. However in time this was considered a bit too risque even for a fertility ritual, so the effigy was discarded and the phallus was paraded by itself. As its size was still about 1 meter long, the phallus was paraded by itself, carried by 4 or 5 people. However, this practice was also altered with the partial shielding of the phallus by a small portable shrine (mikoshi), the same style that houses it today.

As if to compensate for not being fully revealed, the size of the phallus has grown considerably over the years until it is now about 2.5 meters (13 feet) long and weighs 280 kilograms (620 pounds). It protudes from both ends of the portable shrine, and when considering the extra weight of the later, the bearers are basically struggling under a weight of 400 kilograms (885 pounds). Some 60 men in total (sometimes more) work in teams of 12 to deliver it to Tagata Shrine.

The organization and funding of the festival requires months of constant preparation and close coordination between shrine, village and regional authorities including the police. It is a major event. The procession begins at Kumano shrine about 1.5 kilometers (1 mile) from Tagata Shrine.

CLICK for original LINK The parade is lead by a priest, who acting as a herald purifies the route by scattering salt on either side of the path the shrine will take on its journey. He is followed by standard bearers, the last of which carries a tall banner about 3 feet wide and seven feet high. This banner has a huge phallus painted on it that is sufficiently graphic that it could be used to teach anatomy.

Next there is a group of Shinto priests, who accompany one of their members dressed as the deity Sarutahiko-no-okami, distinctive with red face, large protruding nose and a shock of hair. He fulfills the role of the deity who led the descent of Amaterasu from heaven to earth - the sun goddess and giver of all life. Sarutahiko-no-okami is followed closely by 2 men carrying a chest containing offerings of food (rice and fruit) as well as a phallus shaped stone(an example of one of the natural objects referred to above). Accompanying them and usually stirring up the crowd is the sake cart, with the volunteers attending to the cart dispensing sake in paper cups to anyone close enough to reach.

With the crowd excited, it is time for the main event, the arrival of the two portable shrines. First is the shrine carrying a wooden statue of Takeinadene-no-mikoto, the visiting husband of the agricultural deity. And finally it is time for the big penis, the huge hinoki-wood phallus. It is heavy, but at this stage is carried by 12 men who are all aged 42. For women the unlucky age was 36, for men 42.

Once the newly carved giant phallus arrives at the shrine it is enshrined in the Shinmei shrine for the next year. The old phallus is sold to local businesses or private homes. It is perhaps an unsettling thought that these phalli are all over the neighborhood. The new owner makes an altar where the phallus is installed and venerated with periodic rituals and offerings.

source : Yamasa Institute, Aichi prefecture


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There are many other festivals in Japan for a bountiful harvest.
And other festivals where the penis is the object of veneration.


at the shrine Dontsuku Jinja in Shizuoka静岡県賀茂郡東伊豆町稲取の「どんつく神社」
The penis (don) is sticking out (tsuku). On the first tuesday/wednesday in June there is a big festival.
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In Fukuoka there is a "Man Soul Rock", connected to the "Woman Soul Rock" in the sea with a straw rope. In November, there is a Male Soul Festival 男魂祭.
福岡県田川郡添田町の深倉峡には奇岩「男魂岩」
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Things found on the way




phallus Daruma from my collection

dankon 男根 inkei 陰茎 penis


- - More about the phallic connection to Daruma:

Daruma’s Evolution into a Phallic Talisman
Example of Daruma art lending itself to phallic symbolism
As shown ... ,
Daruma artwork lent itself easily to phallic symbolism without any need for folkloric references. Yet, there is little doubt that Daruma’s metamorphosis into the male organ was pushed along by the widespread use in the late Edo era of the armless and legless Daruma tumbler doll talisman against smallpox. When knocked on its side, the doll pops back to the upright position and therefore symbolizes
(1) a speedy recovery from illness, akin to “getting back on one’s feet;” or
(2) resilience, undaunted spirit, and determination.

Such imagery can be easily employed to describe the down-up, soft-hard nature of the male sexual organ. With only a little imagination, one can easily understand why Daruma paintings and talismanic representations fell naturally under the same phallic sway. Says scholar Bernard Faure: “Until the Meiji period, phallic representations of Daruma in stone or papier mache were sold.



The name ‘Daruma’ was also a nickname given in the Edo period to prostitutes, perhaps because, like the doll, these specialists of tumble could raise the energy of their customers........ There is also in Zen iconography a representation of the ’erect Bodhidharma.’ The sexual symbolism is played out in the ukiyoe [woodblock prints], where Daruma appears as woman — a courtesan, or a transvestite Daruma and Okame. A representation in which one sees him in the company of two prostitutes — male and female — on a boat made from a reeds associates the sexual motif with that of the crossing of the Yangzi River............[also] as Hartmut Rotermund has been pointed out, the image of Daruma standing up (okiagari Daruma) connotes metaphorically the fact of recovering from an illness, of overcoming it rapidly and lightly.”

- source : Mark Schumacher


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DARUMA MUSEUM
Wayside Deities and Fertility Rites
 


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A deity born from a penis
Okuyamatsumi no kami 奥山祇命(おくやまつみのみこと)

A kami produced from the belly of the fire deity Kagutsuchi when he was beheaded by his father Izanagi. According to Kojiki, Izanagi's wife Izanami died as the result of burns received when giving birth to the fire deity. Grieving at Izanami's death, Izanagi cut off Kagutsuchi's head with his ten-span sword, thus producing some eight kami from Kagutsuchi's blood and body, including Okuyamatsumi.

The other deities included
Masakayamatsumi no kami (head),
Odoyamatsumi no kami (chest),
Okuyamatsumi no kami (penis),
Shigiyamatsumi no kami (left hand),
Hayamatsumi no kami (right hand),
Harayamatsumi no kami (left foot), and
Toyamatsumi no kami (right foot).

In the same episode as related in an "alternate writing" of Nihongi, five deities were produced from Kagutsuchi, but Okuyamatsumi's name is not listed among them.
source : Yumiyama Tatsuya . Kokugakuin University


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quote
Fertility Festival
With spring comes a rash of fertility festivals, designed to further the success of the year’s crops. These have ancient origins and go back to a time when the very existence of villagers depended on the success of the harvest. In a country of unpredictable weather and constant disasters, beseeching the help of the kami was a matter of vital importance.
One such festival happens every year on Feb. 11 in the Yamato basin near Omiwa Jingu, when two neighbouring shrines hold a joint festival. The male kami of one shrine is symbolically coupled with the female kami of the other by the use of phallic and vaginal shaped rice ropes.
MORE
source : www.greenshinto.com


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CLICK for more photos
In Kawasaki in the grounds of Wakamiya Hachiman Jingu 若宮八幡宮 at the shrine Kanayama Jinja 金山神社 on the first sunday in April a big Penis Festival is held and attracts many foreigners from the Kanto area.

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Reference : Kanayama Shrine Penis Festival


Kanayama Shrine 金山神社 Kawasaki

This shrine in Kawasaki is especially popular with foreigners.
During the annual Phallus Festival (Kanamara Matsuri かなまら祭) in the first week of April many replicas can be seen.

. . . CLICK here for Photos !

The exact dates vary: the main festivities fall on the first Sunday in April. The penis, as the central theme of the event, is reflected in illustrations, candy, carved vegetables, decorations, and a mikoshi parade.
© More in the WIKIPEDIA !



spring in the air
with buds shiny tender shapes--
kanamara matsuri


- Shared by Brinda Buljore -
Haiku Culture Magazine, 2013



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HAIKU


豊年やはちきれさうな馬の尻
hoonen ya hachikiresoo na uma no shiri

year with a bountiful harvest -
the rear side of the horse
is almost bursting


Kintoo Yuuko 金藤優子
Tr. Gabi Greve

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penis festival ...
the number of foreigners grows
year by year

Nakayama Ishino, 2008


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Related words

***** . tsuburosashi つぶろさし tsuburo fertility dance
Sado Island, June 15 



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5/01/2009

Hiraizumi Festivals

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Hiraizumi Fujiwara Festival
(Hiraizumi Fujiwara Matsuri)

***** Location: Hiraizumi, Iwate, Japan
***** Season: Late Spring
***** Category: Observance


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Explanation

Hiraizumi Fujiwara Matsuri
平泉藤原祭 (ひらいずみふじわらまつり)
Fujiwara Festival in Spring

春の藤原祭り
May 1-5

The Spring Festival begins on May 1 with memorial services for the four generations of Fujiwaras who ruled the area through the twelfth century. It reaches its peak on May 3, when roughly 100 people recreate Minamoto no Yoshitsune’s Eastern Flight in a parade from Motsuji to Chusonji.
With long parades in traditional robes.
Parade of children and sacred dancing. Athletic games are also held.

During the festival there is a Noh performance at a thatched roof stage near the temple.


CLICK here for more photos


. Minamoto no Yoshitsune 源の義経 (1159 - 1189) .
- Introduction -

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Hiraizumi (平泉町, Hiraizumi-chō)
is a town located in Nishiiwai District, Iwate, Japan. It was the home of the Hiraizumi Fujiwaras for about 100 years in the late Heian era and most of the following Kamakura period. At the same time it served as the de facto capital of Oshu, an area containing nearly a third of the Japanese land area

The first structure built in Hiraizumi may have been Hakusan Shrine on top of Mount Kanzan (Barrier Mountain). A writer in 1334 recorded that the shrine was already 700 years old. Although rebuilt many times, the same shrine is still standing in the same location.

In about 1100 Fujiwara no Kiyohira (藤原清衡) moved his home from Fort Toyoda in present day Esashi Ward, Oshu City to Mount Kanzan in Hiraizumi. This location was significant for several reasons. Kanzan is situated at the junction of two rivers, the Kitakami and the Koromo. Traditionally the Koromo River served as the boundary between Japan to the south and the Emishi peoples to the north. By building his home south of the Koromo, Kiyohira (half Emishi himself) demonstrated his intention to rule Oshu without official sanction from the court in Kyoto. Kanzan was also directly on the Frontier Way, the main road leading from Kyoto to the northern lands as they opened up. Kanzan was also seen as the exact center of Oshu which stretched from the Shirakawa Barrier in the south to Sotogahama in present day Aomori Prefecture.

Kiyohira built the large temple complex on Kanzan known as temple Chūson-ji 中尊寺(ちゅうそんじ).
CLICK for more photos The first structure was a large pagoda at the very top of the mountain. In conjunction with this he placed small umbrella reliquaries (kasa sotoba) every hundred meters along the Frontier Way decorated with placards depicting Amida Buddha painted in gold. Other pagodas, temples and gardens followed including the Konjikido 金色堂, also called "Shining Hall" (Hikarido 光堂), a jewel box of a building intended to represent the Buddhist Pure Land and the final resting place of the Fujiwara lords.

Hiraizumi's golden age lasted for nearly 100 years, but after the fall of the Fujiwaras the town sank back into relative obscurity, and most of the buildings that gave the town its cultural prominence were destroyed. When the poet Matsuo Bashō saw the state of the town in 1689 he penned a famous haiku about the impermanence of human glory:

Natsu kusa ya! Tsuwamono-domo ga yume no ato

Ah, summer grasses!
All that remains
Of the warriors dreams.


The town's historical monuments and sites have been inscribed as
UNESCO World Heritage Site status in 2011.

Fujiwara no Hidehira
藤原秀衡 (1122? - 1187)
was the third ruler of Northern Fujiwara in Mutsu Province, Japan, the grandson of Fujiwara no Kiyohira.

He offered shelter to the young Minamoto no Yoshitsune, who was escaping Kyoto. For many years, Hidehira was Yoshitsune's benefactor and protector, and it was from Hidehira's territory that Yoshitsune joined his brother at the start of the Genpei War. Later, when Yoshitsune incurred his brother Minamoto no Yoritomo's wrath, he returned to Hiraizumi, and lived undisturbed for a time. Yoshitsune was still Hidehira's guest when the latter died in 1187.

Hidehira had his son promise to continue to shelter Yoshitune and his retainer Benkei, but the son gave into Yoritomo and surrounded the castle with his troops, forcing Yoshitsune to commit seppuku (his head would be preserved in sake and given to Yoritomo) and resulting in the famous standing death of Benkei. Yoritomo destroyed the Fujiwara domain and killed Hidehira's son.

Hidehira's corpse became a mummy, preserved today within the Konjiki-dō of Chūson-ji.
© More in the WIKIPEDIA !




- quote -
秀衡塗 Hidehira-nuri Lacquerware
Designated a traditional craft of Iwate Prefecture, Hiraizumi’s Hidehira-nuri lacquerware has been widely manufactured in Japan. Its simple, refined aesthetic presents a reflection of the history and natural features of the region of its birth.
Its origin
traces back to Fujiwara Hidehira, who controlled the Tohoku area during the Heian Period (794-1185), including Hiraizumi in Iwate Prefecture. When he created great Buddhist structures in Hiraizumi such as the Konjikido (Golden Hall) of Chusonji Temple, he ordered the craftsmen he had invited from Kyoto to also manufacture new types of lacquerware. In scriptures made in the Kansei years (1789-1801) of the Edo Period, this episode is mentioned as “Hiraizumi’s Hidehira-nuri,” and it is also mentioned that the craft was highly prized by tea ceremony masters. The name still holds to this day.
With their striking glamour,
golden Hidehira bowls are said to be both the origin and symbol of Hiraizumi’s Hidehira-nuri. When Hidehira asked the craftsmen to make the new lacquerware, he specified that they should use locally produced gold and lacquer. The bowls were made by painting lacquer onto the base wood, decorating it with designs such as Genji-gumo (the Genji cloud), a popular wave-shaped cloud motif where clouds were represented with golden sheets, and kicho (lucky symbols) featuring paintings of lucky animals, and finally accented with gold sheets cut into rhombus shapes. This traditional decoration style used black, vermilion and gold as its fundamental colors, and the form still continues to this day.
Production of Hidehira-nuri
can be divided into four steps. First, according to the intended use of the product, timber such as tochi (Japanese horse chestnut) and keyaki (Japanese zelkova) are carefully dried out—a process that can take anywhere from one to ten years—to form the base wood. Lacquer is then painted onto the base wood and polished to form a foundation. The third step, painting, involves layers of lacquer being painted onto the foundation. In the final step, gold sheets are applied to the object to complete the design.
Today,
Hiraizumi’s Hirahide-nuri can take the form of tableware, traditional kokeshi Japanese dolls, smart phone cases and various other products. With its refined design, beautiful gloss of lacquer and glamorous golden sheets, Hirahide-nuri is a pleasure simply to gaze upon.
- source : japan-brand.jnto.go.jp/crafts -

. Mingei - Iwate Folk Art - 岩手県  .

. urushi 漆 laquer ware .

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. Tsuwamono, Benkei and Yoshitsune  弁慶と義経   
More about Hiraizumi and the famous haiku by Basho


. Temple Motsuji (Mootsuuji 毛越寺)  
and the dance Ennen no Mai 延年の舞, another KIGO


. 弁慶の力餅 Benkei no Chikaramochi
Rice dumplings for the strong Benkei
 
Served as a local speciality.


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Hiraizumi's other main festivals are

Hiraizumi Daimonji Festival, O-Bon, August 16
Autumn Fujiwara Festival November 1-3


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Worldwide use


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Things found on the way


Fudoo Doo 不動堂 Fudo Hall at Chuzon-Ji




source : www.chusonji.or.jp/guide

This hall has been erected in 1977.
On the 28th of each month fire rituals for Fudo are held here.
The statue of Fudo Myo-O dates back to 1684, offered by the wish of the daimyo of Sendai, Date Tsunamura 伊達綱村 (1659 - 1719) for peace in the realm.

. Fudō Myō-ō, Fudoo Myoo-Oo 不動明王 Fudo Myo-O
Acala Vidyârâja – Vidyaraja – Fudo Myoo .


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HAIKU



百姓の子が能習ふ藤原祭  
hyakusho no ko ga noo narau Fujiwara sai

a farmer's child
learns to perform Noh ---
Fujiwara festival


Suzuki Takuo 鈴木田句男



夜神楽の大蛇小さくたたまるる  
yokagura no daija chiisaku tatamaruru



the eight-headed
serpent folds so small . . .
night performance of Noh


Shirato Harue 白戸春恵


More Japanese haiku about Hiraizumi
http://www.town.hiraizumi.iwate.jp/scripts/hiraizumi/kanko-rekisi/lib/bun_15c.html

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CLICK for more photos




光堂より一筋の雪解水
Hikaridoo yori hitosuji no yukige mizu


from the Golden Hall
one straight line of
melt water


Arima Akito 有馬朗人 (1930 - )
Scientist and Haiku Poet
ISBN: 1-929820-01-1


. Arima Akito, the Haiku Poet  


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External LINK

quote
This month of March 2011 has been one of the greatest challenges faced by the people of the Tohoku. The magnitude 9.0 earthquake and tsunami hit the heartland of the ancient Tohoku, and though the population has changed since then I say with a heavy heart that this was the historical area where many Emishi had lived in the distant past. To put this in historical context there was another earthquake and tsunami that occurred almost in the exact same location some one-thousand, one-hundred and forty years ago in AD 869.

The earthquake known as the Jougan Earthquake (Jogan Earthquake 貞観地震) and tsunami (occuring during Emperor Jougan's reign) that followed swept through what is now Taga Castle 多賀城 and the Castle town that had developed around it during and after the Tohoku Wars. In 869 there was much loss of life, and was the scene of great devastation again this month. At this time it may not be appropriate to address the loss of archaeological and historical sites but I cannot help but wonder how these sites have fared.
. Emishi, External LINKS

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. Japan after the BIG earthquake March 11, 2011

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